Jimmie Murphy: The Comeback Interview

“I’m going to let God take the wheel and let my music carry itself”

A few months ago, I reached out to Jimmie Murphy following his comeback from ‘retirement.’ As a part of the super talented Squizzy Gang (SG), I was surprised by the decision to retire at a point in which he seemed destined for greatness along with his SG comrades. The Colorado native can spit a sixteen better than most rappers but is even more talented at serenading a microphone with his smooth singing. I was absolutely delighted at B.More’s decision to come back, and although all has gone quiet from both of us since this interview took place, I’m extremely excited for anything Jimmie has in store for us in the future.

 

Lee Hawthorn: You recently returned from a short-lived retirement, however it was never made entirely clear why you went on a hiatus. What made you give up music?

Jimmie Murphy: I gave up music because I felt as if I was at a stand still in my career. I felt that I had reached my peak and couldn’t go any higher from where I was at the time. I lost hope but I prayed about it and had some good people around me that wouldn’t let me let it go.

 

It’s safe to say many are happy to see you return, what did you do during your time away from creating music and what made you consider a comeback?

Jimmie: I really just continued to write and just connected with my inner self. Family and friends pushed me through it though and I couldn’t be more thankful

 

Prior to your retirement, you released “Sincerely Jimmy” which has since been deleted from your own and SCB promotions Soundcloud stream, why did you decide to have the track deleted?

Jimmie: I deleted it because that sad bitter chapter in my life was over so I felt that it was necessary.

 

When you announced retirement, one of the first things I looked out for was the reaction from your fellow Squizzy artists. How long have you known Trev, AP, LKeys etc? Were they a key reason in your return?

Jimmie: They were definitely a big part of me making music again. Those are my brothers so they know me very well. I think they knew I was gonna come back so they just supported me and let it blow over. But I’ve known guys for years! Blood couldn’t bring us closer.

 

Do you think we will ever hear a collaborative Squizzy mixtape?

Jimmie: Honestly I think there will be a squizzy mixtape once all these Hollywood niggas stop with the shenanigans [Laughs].

 

Being from Colorado, a state in which no urban artist has made it very big. Do you think its harder to break out to big success than the likes of New York or LA or do you think its easier because there isn’t as much competition in CO?

Jimmie: It’s definitely harder but it isn’t impossible. Once Colorado gets over the hating mentality it’s possible. I think Denver he the best music around so I think the competition is the same Its just a lot more people in those states.

 

Aside from Squizzy, who do you think is currently the best artist in Colorado from any genre?

Jimmie: Aside from Squizzy I would have to say Adam Duncan would probably be my favorite out of Denver.

 

I recently discovered an old cypher on YouTube comprised of Colorado artists, would you be willing to contribute to a cypher? If so, who would you like to join you?

Jimmie: I would love to do a cypher! And my cypher would consist of all my Squizzy brothers Afox. Ray reed, PC, FL of Food Chain and Lpeez

 

Your have more pseudonym’s than any other artist I’ve come across. I’ve seen you called Jimmie Murphy, B.More and Jimmy Mack and then variated spellings of each…What do you consider your stage name to be now? Why do you have so many?

Jimmie: My stage name is Jimmie Murphy. My previous stage name was B.more and that was because I’m from Baltimore, MD. Jimmy Mack was just a name I put up on my twitter. My dad and uncle use to call me Jimmy Mack when I was a kid but that’s very irrelevant to my music.

 

What are your aspirations for the near future. Life as an artist is a hard struggle particularly at the start of a career. Now that you’re back, what do you hope to achieve within the next year?

Jimmie: Within the next year I’m going to let God take the wheel and let my music carry itself.

 

You’ve named Prince as an influence in the past, would he be your number one dream collaborator? If you could pick five collaborations for a future album, who would it be?

Jimmie: Prince is one of my biggest influences most definitely! If I had to pick 5 people though it would have to be: Frank Ocean, Prince, Jay-z, James fauntleroy and Maxwell.

 

In “Sincerely Jimmy” or at least on Twitter at the time of it’s release, you announced “Descendre 2” would never be released. Has that changed now that you’re back? Can we expect Descendre 2 or at least another mixtape? If so, when?

Jimmie: There will be a project to drop soon. That’s all I can say. [Laughs]

 

 


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Treyy G: Interview

Treyy G is an up and coming producer hailing from Colorado by way of Cali. He’s one half of the Hiphop duo TKG, which is how we first discovered him. One of his most recent mixes “Trumpsta” with Contiez has garnished him worldwide recognition which you have to admit is well deserved. From his catchy hooks to eclectic mixes, his reputation is that of a hit maker. To us it seemed like over night he was on every EDM flyer in Colorado, supporting some of the biggest names in the Trap game. We truly believe that it’s only a matter of time before he’ll be headlining shows all over the world. Actually…we’re willing to bet on it. Get to know him…

Did you learn how to mix on your own or did someone teach you?

Treyy G: I Learned on my own!

Who are some of the producers that inspire your creativity?

TG: Well, i’m inspired by many producers by my main inspiration comes from Calvin Harris, Zedd, & Deadmau5.

Who are some of the producers you don’t like?

TG: There’s not too many producers I don’t like, If I don’t mind them, I just don’t listen.

What software and gear are you using, and what software and gear do you wish you had???

TG: I’m using FL Studio 11 for producing & Pioneer CDJ 2000 Nexus set up for Live show, Couldn’t ask for anything more!

How would you sum up your music in 2 words?

TG: Bang Bang

What was the first EDM concert you went to? 

TG: Glo5 In Colorado Springs Jan 23rd 2010.

Denver is a HUGE market for EDM, but what other city do you dream of playing a show in and why?

TG: One place I dream of playing is Ibiza, and because its also a huge world wide staple for EDM music!

In regards to your workflow, do you work on multiple tracks at once or do you start one finish it then start on the next?

TG: I work quick, so I’m usually working on 7-10 different tracks at once, not including track I do vocals for!

Dude, “Trumpsta” is all over the web! How does it make you feel knowing that all these people that don’t even know you are listening to your music?

TG: It’s great, really one of the main reasons I make music. I love sharing the love of music with others that love music just as much as I do, haha.

What was your biggest obstacle when you were first starting out, and how did you overcome it?

TG: Learning the politics to the Colorado EDM scene, and honestly, you can’t overcome it.. It’s something that will always be there!

What would you say has been your greatest accomplishment thus far?

TG: I wish I could share, but the announcement Is kept in close only for a little longer, but as of now, Trumpsta signing to Kontor records, Ministry of sound & reaching 8,000,000+ Views and counting about 60-70K Plays A Day.

If everything goes just as you plan, where or what do you see yourself doing in the next 5 years?

TG: Only time can tell!

We all have those few people who have had our back and supported us to the fullest since the beginning; who are those people around you?

TG: My mother, my girlfriend, my sisters/family and my bestfriend Austin!

 

 

Make sure you follow Treyy G on Twitter: https://twitter.com/treyyg & like his Facebook page: https://www.facebook.com/TreyyG5

Air Dubai: Interview

by Ava Daniels

Popular local Denver band Air Dubai is moving up in the world with the start of more tours, music, and a signing with Hopeless Records. The band consists of Julian Thomas, Jon Shockness, Lawrence Grivich, Nick Spreigl, Micheal Ray, and Tailor Tait. Guitarist Lawrence Grivich and singer John Shockness go in depth with news about their newfound success and life on the road:

So you guys just finished up the Journeys Noise Tour, are starting another tour with Bad Rabbits, and are doing Vans Warped Tour in the UK! Not to mention you guys just signed with Hopeless Records and released some new music. How does all this success feel for each of you?

Jon Shockness (JS): For me it feels like we’re just getting started. We’re planning a lot of cool things and it’s nice to finally feel like we’re setting up a platform to create from

As I mentioned earlier, you guys are touring a lot. How do you all like life on the road, and what have been your favorite cities/crowds/venues?

JS: Life on the road is fun. I think we’re able to learn a lot about ourselves as a band which is great and also meet some amazing new people. The flightcrew is growing…

What is one thing each of you can’t live without while on tour?

JS: Headphones

Have there been any crazy incidents while on the Journeys Noise Tour?

JS – About an hour out from our show in Buffalo, NY our van stopped on the side of the road. We called the tow truck guy and let him know our soundcheck was in like 30 minutes, so he let us ride inside the van on top of the tow truck to the venue where we hopped out with 10 minutes ’till doors. He basically saved the show for us.

During your tour, you guys stopped in Canada! What was that like for you all? Was it anyone’s first time out of the country?

JS: Canada was awesome! We got to see Toronto for a little bit and eat some good food while we were there.

What is one thing each of you hope to be remembered for?

JS: When this is all said and done I hope people will know that we did this because we love music. “Pop” has such negative connotations nowadays, but we aim to make something that is relatable to people everywhere. Our band is so diverse in itself and we want to carry that out to our fans. Everyone is welcome, we all can have a good time.

How exactly did you all meet and how did Air Dubai form? What is the meaning/reasoning behind naming your group Air Dubai?

Lawrence Grivich (LG): Air Dubai was actually an old navy vessel that sunk to the very bottom of the Mariana’s Trench. To this day it stands as our testament to have courage but never get lost in ourselves.

What is one thing each of you miss while you’re away on tour?

JS: Definitely just having time at home. Friends, family, pets.

What is one venue you all hope to play one day?

JS: 02 Theater in London would be dope.

I see lots of descriptions of your sound and musical influences on the Internet. What would you guys say your sound is, and could you list some influences?

LG: It’s a combination of all our individual guilty pleasures (Biebs, R. Kelly) as well as artists we all can get behind (Justin Timberlake, Phoenix, Kendrick, Miguel, etc.)

Do any of you have nicknames or stage names? If so, what and why? If not, what name would you give yourself, and why?

LG: We have tons of nicknames within the band, whats the fun in calling someone the same thing every day for as many days as we are in each other’s company? We call Taylor something different all the time, like Towel or Taste. We actually don’t find the need to develop stage personas, though.

Is there another Denver group that you all look up to or respect a lot? Or a Denver band you all are friends with?

JS: My Body Sings Electric, The Epilogues, In The Whale. All great guys.

How did each of you get into music?

LG – Originally as a creative release. Secondly to have something to fight about.

 

Air Dubai is on tour, so head to their website for dates and more information on the band:

Band Profile: Air Dubai

www.airdubaimusic.com
ALL PHOTOS CREDIT TO MATT VOGEL

Hatch The Bird: Q&A

 

by Jennifer Kerber

Hatch the bird is a Colorado based band that is comprised of Ian Hatch on vocals, Jamie Beekman on harmonies and keys, Chris Cook as the Bass Man, and Eric Neal on drums.  Hatch the Bird’s influences are akin to Alex Clare, Bradley Nowell, DISPATCH, Cas Haley, Ottis Redding, and many more.  I recently had the pleasure of sitting down with the lead singer, Ian Hatch, and got to ask him some questions about the band.

Enjoy!

 

Your band name, Hatch the Bird, is one of the few greats I have come across. How did you first come up with the name, and how did you meet your other members?

Ian Hatch:  The name for the band is a metaphor for the moment when you are listening to music at a live show, and you get so caught up in it that nothing else in the world matters. It seems like there so much stress in the world, and so much to think about all the time, and our goal with Hatch the Bird is to let people take away from that, and relieve anxiety, and have a moment of clarity, when you can just feel it ease. All you have is the music, and you are in that moment. I really try to embody that while I am on stage.

All the members of the band are students at the University of Colorado at Denver, either in the recording arts program with me, or Music Business program. Jamie Beekman is an amazing piano player and singer, Eric Neal is the drummer, and Chris Cook on bass, He also plays with another band called Green River Vibration. We came together through school.

In your Biography, you tell us that you grew up in the mountains of Colorado, I too grew up in a small mountain town, and I know that the way I see the world is very different from some who have lived in a city their entire lives.  Do you think that where you grew up had a big effect on the music you play?

Ian: I grew up in Vail, Co. I guess I didn’t realize how lucky I was until I left, and you get to see the world a bit more. Then it really hits you, “WOW, I am very fortunate and it was just an amazing place to grow up.”  I think that growing up in the mountains definitely has an effect on the music I play.  I definitely have a bit of a country feel to it though, and I wouldn’t consider myself a country artist at all. The spirit of the mountains, and I think a lot of what I write comes from the experiences I had in nature, and those connection you get with the Earth when you are out there all by yourself. That definitely is an influence of mine.

Living in the city can be really tough to get back to the mountains. The hustle and bustle of the city if crazy compared to life in the mountains, everyone in there is on a different plane and move at a different speed. The stress level is extremely lower in the mountains, it’s almost hard to keep a job in Denver.  In Vail everyone is laid back, and I carry that attitude with me, and some see that as being lazy potentially, we do things differently in the mountains.

What do you enjoy doing the most when you are not performing or working on your music? 

Ian:  Well these days it seems like all I really do is work on music, which is awesome. I am really, really busy every day getting everyone on the same page for band rehearsal, setting up recording sessions, or writing with different artists. When I am not working on music, I am usually sleeping!  {Laughs}  But other than that I like to get outdoors when I can – I rock climb, try to go to the mountains, and enjoy the air, and weather.

My life ultimately does revolve around music, if I am not doing that, I feel like I am not doing much. It’s a good thing though, and I love that I am staying busy doing what I love to do. It’s one thing to be busty with a job you hate, when you actually like what you are doing it makes a world of difference in life.

 When I saw you play the CAM JAM, It was the first time I had heard you play live.  When you step on that stage I noticed a change come over you.  Once you had your guitar in your hand, and a microphone in front of you, your whole body relaxed and it felt as if the music just flowed. Do you practice a lot, or does it come naturally to have so much fluid motion between the vocals and guitar parts?

Ian:  One of my favorite things about being a musician is performing. To me it’s just the ultimate expression. And sometimes I even feel like I can’t practice the way I perform, I know people say practice the way you play, but for me I don’t feel like I can because I put so much energy into my performances, and If I did that every day at practice, I wouldn’t have anything left for the performance. My favorite thing in the world, is playing for people who haven’t heard me before, I really get off on that knowing that there’s a potential for really wowing people. Even if one person comes up after a show, and says, “Wow that was awesome, you have a great voice, or that one song really got to me.” That makes all the difference in the world to me.

My favorite part of this is performing. When you get up on stage, I feel like that’s where I belong.

I do practice a lot, my goal is to be prepared enough when I get on stage, and I don’t have to think about what I am doing. I find that when you get caught up in your head on stage the performance ultimately suffers. I want to be in the moment, just like I said before; you want there to be nothing but the music.

Your song “The Wait” is one of my favorites, to me, it speaks of that longing of waiting for someone to notice you.  What inspired this song for you?

Ian:  This song is about a song!  One of my biggest influences is Bradley Nowell from Sublime. That song is definitely personal to me; because of the experience of waiting and longing for someone we’ve all had I’m sure. The song that I based the weight off of is called, “Waiting for my Ruca”, in the song he meets a woman named Ramona at a party, and he mentioned that he was waiting for her. That’s where I took the inspiration from for this song; definitely put my own experience into it, you know, when you are intrigued with somebody and hoping that they will show some kind of interest back.

It’s definitely a personal song to me, and I am glad I able to share my influences from Bradley Nowell with the world. I think that he was an amazing musician that died too young unfortunately, and left an amazing legacy behind.

What is your outlook on the record industry today?

Ian:  Because the record industry has changed, and artists have lost a lot of profits on records sales because of illegal downloads. MY goal these days is to get my name out, and heard the music. I think that if people heard what I am doing, ultimately people will like it. I hope, you know I can’t guarantee anything, and I know everyone has to have their haters, and I can only hope I have a couple of those out there. But for me I just want people to hear my music and appreciate it. I don’t ever plan on selling my music, I think that it should be free for people to hear. I want people to hear it for free. I think it’s great how we can share music online.

The internet has opened up a whole new way to promote your music, but it also has it’s downsides I noticed that you allow fans to download your tracks for free off of your Reverb Nation page. What do you think about online music Sharing? 

Ian:  Accessibility is key in today’s music industry. If you make yourself inaccessible by demanding money, then ultimately you will miss out on fans.  I am totally open and working on setting up a donation based system. We are coming up with Hatch the Bird’s premiere album here very soon, my goal is to have it available for free download with the option of donating to our cause.

Everything costs money, studio time, gas to gigs, rehearsal, time and commitment. I hope that people will appreciate how much work goes into and appreciate the music enough that they are willing to donate to our cause. I do believe that if you have a quality product and you are able to record in good way, and are professional , I don’t see why people would be opposed to donating and helping out if they enjoy it.

What are some of your pet peeves?

Ian:  My biggest pet peeve in the world is when you go to a bar, and there’s a live band, and the music is entirely too loud. I’ve been so many little shows, in tiny bars, where there’s ten people in the crowd, and the music is just blaring loud, so loud I can’t stand to be in the bar. For me it’s just unnecessary, I appreciate when I can go out, and listen to a band and still have a conversation with the people I am with. In today’s world, louder is always better for some reason, and people think that if you bar pumps super loud music, that people will want to spend more money. For me to have moderate levels, is huge. To me, Loud has its place, the Fillmore I would expect it to be loud, it’s all about the time a place.

 

If you could give some advice to other musicians out there who are just starting out, what would it be?

Ian:  I sure it’s a little cliché, but just to do what you do, and stay true to who you are. For a while I tried to be other people, I wrote songs and sang and tried to mimic other people, and what I found is that people respond in the best way when I stay true to what I do, and I don’t try to sound like someone else. I think people really respond to being genuine, and people can always tell. It’s a huge thing for life in general is to be real, and honest with people. I think sometimes I am too honest with people, it’s a characteristic that’s rare these days, and everyone is so afraid of hurting people’s feelings, and you know, losing friends, just because they have an opinion. My opinion, I don’t feel like I need to be afraid to be honest, ‘cause if the other people can’t take my opinion, or they are offended by it, then why would I want to associate with those people. Life is about surrounding yourself with people who you aspire to be like, they say that you become the people you surround yourself with. You can’t help but pick up the traits of other people around you. We mimic everything we see in life, so it’s important to surround yourself with positive people and good energy, and people who help you move forward.

What is your favorite venue to play, and your favorite venue to go see a show?

Ian:  I think my new favorite venue is at the Summit Music Hall Moon Room, We played a show there June 6th. We just booked another show for our  EP Release. It’s a really, really, nice stage, and it’s bigger than a lot of stages I have played at in Denver.

I love going to the Fillmore to see shows, Ogden, the best venue in the world is ultimately Red Rocks Amphitheater. I love it so much, always such a great experience to go there. It’s not like most shows, where you show up and wait in line, go inside and grab a beer, etc. Red rocks is a whole experience, it’s an adventure every time. I hope one day I can play at red rocks. That’s my ultimate goal to get on that stage, look up and see that wave of people, and know that they are all there for me.

bird

 

They just released their new EP  July 11th.  Head over to their website to get more links and a free download.

Links:

Website:

www.hatchthebird.com

Tickets:

http://www.ticketmaster.com/Hatch-the-Bird-tickets/artist/1873388

 

Lyric House: The Fundamentals of Music Publishing

For those of us who are not very familiar with the many facets of the music business; Music publishing is often one of the most confusing aspects of the industry. In the print world, one might regard the act of “publishing” as taking a writers literary works, turning them into a full fledged book and making it available for distribution to retail outlets. Music publishing is somewhat similar- A songwriter transfers ownership of his or her song to a music publishing company which then goes about trying to monetize it through various channels.

However, it’s not that simple. Luckily we were fortunate to have a few questions answered about the business by the Founder and President of  Lyric House Publishing, Jessica Cole. Jessica, a Graduate of CU Denver is more knowledgeable on the subject than some of us might ever be. So if your’re a singer/songwriter who’s looking for another opportunity to get your music heard, as well as get a return on your investment then take a minute to find out how music publishing integrates in to the industry.

Also, if you have any questions on the matter, please leave them in the comment section below, and Ms. Cole will answer them at her her earliest convenience.

What made you decide to start a publishing company?

Jessica: It initially started with my personal songwriting and music business background. I
attended the University of Colorado at Denver for music business and was fortunate
enough to experience a great internship in Nashville. I loved the songwriting/music
community there in Nashville, it really sparked an interest in me to create something
similar in Denver. After moving back to Denver, this interest grew into putting together a
collective, or association for area songwriters. As the songwriter association began to
grow, I was amazed at the various talent that would join our association or visit the
association as guests. I started to build upon the idea of adding licensable songs to a
catalog from the songwriters/artists I was working with. Soon after, it culminated into the
idea to start a publishing company so there could be an even bigger and more proactive
creative outlet to pitch the songs and various talent we signed. One of the first
goals was to make our music available and pitch it to licensees/artists all over the world.
It’s amazing how much has happened in just a years time. We now have over 50 artists
and have sub-publishing partners pitching our catalog in all major territories all over the
world.

What obstacles did you have to overcome when you were first starting out?

Jessica: The initial obstacle was getting other music friends and colleagues on board for
the idea. Music publishing can be one of the more confusing aspects of the music
business, so it took some time and work to get everyone on the same page – artists,
writers, interns and employees. It’s just like starting any other small business as an
entrepreneur. The difference is that the barriers to entry have their own set of obstacles,
many of which are rooted in music business/publishing knowledge and industry
networks.

What’s the difference between: Composition, Song Sheet, and Master?

Jessica: The composition is the song itself. The song sheet is the written sheet music of
the composition. The Master is the sound recording of the composition.

For those of us less educated in the subject; can you explain how music
publishing works, and how each party involved benefits?

Jessica: Music publishing is all about the song and the songwriter. The songwriter writes
the song and the music publisher works and manages the song. The publisher does this
by pitching the song for licensed uses such as: “cuts” by major label artists, getting the
song placed in TV, film, advertisements, video games, etc. or setting up co-writes with
other well known artists, songwriters or producers. Each party benefits by splitting the
payments when a license is issued for use of the song.

How much does it cost to register a copyright?

Jessica: $35

How did/do you go about finding artists to represent?

Jessica: Word of mouth, industry referrals and artist/songwriter referrals. These are the
top three ways other than our own personal discoveries.

At this point in time, do you feel like there is one particular genre that seems
to be more appealing to people producing TV shows or commercials?

Jessica: It’s all very subjective, but generally TV shows/commercials like the indie pop/
rock genre or bigger recognizable songs for bigger commercials or TV show
promotions.

Is pitching a song to a record label or producer a fairly easy task?

Jessica: No, it’s not an easy task. I suppose you could say pitching (in and of itself) is easy if
you have the connections and the network. However, getting the song heard by the
right people/person and getting that song recorded by an artist, is extremely hard.
Sometimes a label person or producer is the right person, but often times, your
chances are always better pitching directly to the artist.

What must an artist or band have in line before they should even consider
approaching a publishing house?

Jessica: This depends on where they envision their music being promoted and placed. If
they are at the stage in their songwriting career where they are looking to write for artist
placement then I think that should have a strong catalog already built with good quality
demos recorded for the publisher to choose from.

What essential clauses do publishing contracts entail?

Jessica: There are many, but two primary clauses to point out would be – copyright
transfer and warranties/representations.

The copyright transfer means the songwriter transfers the copyright of the song or
song(s), to the publisher. This clause gives the publisher the exclusive rights mentioned
earlier.

The warranties and representations clause means everything the parties are agreeing
to in the contract, is true and factual. For example, if you said you were the sole writer
on the song, then that information should be true and accurate.

Music Publishers, Record Labels, and Performing Rights Organizations – Can you connect the dots for us?

Jessica: The music publisher pitches and manages the song. Record labels sell, promote and
distribute their artist’s sound recordings (CD’s, digital downloads, etc.) and the PRO’s
collect and distribute performing rights royalties and pay them to the music publisher
and songwriters (for example when a song is played over the radio, that is considered a
“performance royalty”). They all connect when, for example, an artist releases a new
single on the radio to promote their upcoming record. This promotes and increases
business for all three!

As far as hip-hop goes, artists generally never own the beat on which they
lay their vocals. Would you say the process of publishing hip-hop tracks is more
complicated than that of any other genre?

Jessica: Yes it can be, especially when it comes to sampling and getting clearance. We
generally do not represent songs that have samples in them for this reason.

What is the price range that licenses typically sell for?

Jessica: Licenses don’t actually “sell”. A “sale” is an actual transfer of ownership. The
licenses a music publisher issues are negotiated and have various terms, stipulations
and often, durations. The price ranges are very subjective depending on the license and
the use. Major advertisement music licenses generally pay the highest fees, while a
small background use in a cable TV show could be licensed for no upfront fee (referred
to as gratis) with the understanding there will be television performance royalties from
the PRO’s. While other TV shows may pay an upfront fee as high as 5 figures.

 

Have you ever heard a song you liked playing in the background of  one of  your favorite TV shows(True Blood, Walking Dead), or what about in that new movie you went to go see last week? Chances are whoever wrote the song received a pretty nice paycheck, as well as some premium exposure, thanks in-part to their publishing house.

 

Don’t forget to like Lyric House on Facebook –>>