Featured Song: Roo & The Howl – “Lay Me Down”

Lay Me Down” by Roo and The Howl feels like rain. Some songs are crafted for sunny days; others meld with melancholy mists. Bekah’s eerie soprano activates hidden wistful desires within me. I find myself mourning a loss I didn’t know existed. The deliberate melody of “Lay Me Down” mimics the recurring contemplations of loneliness. A certain solace and companionship floats out from the lyrics though. “Lay Me Down” reassures that no matter the distress; music always understands.

 

 

Stay Connected: www.rooandthehowl.com

Pre-order ME/WE (album): rooandthehowl.bandcamp.com

Infinite Rhymes: Inside the Rap-A-Thon

 

The culture in Denver is so thick, I don’t think a knife could slice through it. January 10th’s Rap-A-Thon was a hearty representation of the thriving MileHI Music scene. The Savoy was a delightful concoction of versatile flavor. A rather saucy crowd displayed the Denver fashion scene with much grace & dapper. Local brands Illah Strated, Errld Apparel, & the Hedi Counsel brought offerings of freshness. The first lady of Colorado, Mary Jane, was highly honored with Royal Blunts & Cannoisseur sharing their wealth. The air was fragranced by plumes of smoke & aromas of dabs. Deep Eddy Vodka coated the throats of happily inebriated patrons. Most importantly, ears were adorned & positively permeated with strong rhymes.

For three hours rapper after rapper dropped their piece. More impressive than the quantity was the quality of lyricism. Artists from all corners of the box came out to hard body the cypher. A few of our favorite crews came united and conquered. Special mention goes out to Urbane Society, Soul City Studios, Squizzy & Welcome to D.O.P.E Game. The array of artists who gripped the mic was so vast we just couldn’t cover everyone. The numerous artists I was itching to feature slipped anonymously away into the crowd. I will be throwing lassos & reeling you all in at the next Rap-A-Thon. For now, please know our collective ears were pleased with the lyrical presentations of the night. To those of you who didn’t attend the event, we’ve collected responses from all perspectives of the cypher. The scoop doesn’t come from the goodness of our hearts. Really, we mean to make you jealous about the psychedelic evening you missed. Below you’ll hear the takes of Ru Johnson & Lizzy Brodie who planned & produced the cypher, as well as commentary from the host MC Big House & three of the participants: Ill Seven, Rebel Minority, & Logistixx.

 

Ru Johnson & Lizzy Brodie

Q: What is your vision for the music scene in Colorado?

Ru: Elevation. Cooperation & upward movement.

Lizzy: To continue to support & showcase the talent!

Q: How do you believe cyphers like the Rap-A-Thon impact both artists and audience?

Ru: To see such a big cypher positioned to focus only on the rhymes is quite incredible. Both the emcees & the audiences are always pleasantly surprised to find such a solid focus on the rhymes & the celebration of the emcee. Artists become inspired by their craft while audiences get to indulge in an onslaught of never ending rhymes. Win, win for all involved!

Lizzy: The Rap-A-Thon is special to me because of how positive the feedback is. The emcees get so excited & are grateful to have a platform to showcase
their skills, learn & create with so many other local talents. I think it brings something completely new to the artist & the community.

Q: If you could deliver one message about the creative culture in Colorado what would that message be?

Ru: The scene is thriving, independent & incredibly motivated & inspired by organic movements. Colorado is more than weed & mountains (though we love both), but a place where artists are tapping into the deepest parts of creativity & executing the vision with perfection.

Lizzy: That we are here, growing & learning! There are so many motivated & passionate people here; tapping into your creative skills is not hard to do! Come get inspired in Colorado!

Q: When can we expect another Rap-A-Thon?

Ru: The next Rap-A-Thon is yet to be announced however we will be competing to break the Guinness Book of World Records for marathon rap time. We outchea.

Lizzy: Yes! I don’t think the people would let us stop this event. We are looking to break records next time! The Rap-A-Thon will only get bigger &
better from here.

 

MC Big House

Q: In your opinion what is the ideal outcome of a cypher?

Big House: The ideal outcome of any cypher is to evaluate the elite vs the average; the emcee vs the rapper; the skilled vs those who think they have the ability! All of that while allowing by standers to become fans of what they find interesting in each participant. However, some may leave with fewer fans.

Q: What are your tips for commanding a crowd?

Big House: Commanding a crowd involves skill first, you can’t control a crowd if you first can not control a microphone! Know your craft! Have a commanding voice, speak with authority, be original, be intellectual, be above average. Many people are involved for many reasons, be able to cover as many bases as you can in the length of time provided.

Q: Do you consider it cheating if a rapper isn’t free-styling?

Big House: In this day & age you can’t expect someone to completely freestyle in a cypher, unless it’s classified as a freestyle session. A lot of people these days choose the pen game over the freestyle game. Many rhymes are premeditated in a cypher. Basicially, people bring their cheat sheet, but the class can now use their notes on the tests.

Q: What do you envision for the music scene in Colorado?

Big House: I vision for the music scene to be put on an international spotlight,and allow our scene to be respected for the talent within these walls. I believe that recognition is achieved by creating undeniable music; above standard business practices, & ultimately uniting the community to stand strong for the arts produced here!

 

Ill Seven

Q: Were you free-styling at the Rap-A-Thon? If so, how do you think the ability to freestyle enhances an artist’s arsenal?

Ill: All my rhymes except for one verse were freestyle; I think the art of freestyle is important because it forces an artist to work that brain without over analyzing. Free-styling gives you the true spirit of an artist, not one that is premeditated.

Q: What differentiates you from other artists?

Ill: My movement. I’m an Artivist, meaning an artist that’s an activist. I do workshops in middle & high schools, as well as colleges. We discuss dealing with social problems & come up with social solutions. I think it’s easy to focus on money. I choose to use my art to provoke & motivate change. I believe revolution is dead & the next step is for the people. For us to step into evolution, the progression of the mind. There’s not only black and white issues, but people issues. Issues ranging from misogyny to the haves vs the have nots.

Q: What would you like to see 2014 bring to the music culture in Colorado & to your career specifically?

Ill: I’d like to see the music scene step out of the boxes & limitations that the commercial main stream puts on us. As for my career, I want to see myself grow into a voice of the people & use my art as the vehicle.

 

Rebel Minority

Q: Were you free-styling at the Rap-A-Thon? If so, how do you think the ability to freestyle enhances an artist’s arsenal?

Rebel: I was, I like to challenge myself & feed off of the energy in the moment. I think that ability does enhance your arsenal & showcases lyrical ability & flow away from writing. Ultimately though, free-styling is fun for an artist.

Q: What differentiates you from other artists?

Rebel: At the event it was all about love & having fun. I think my lyrical content sets me apart, I choose to talk about different topics & address them in a unique way. I make music that is a reflection of me not what the industry demands. I also feel my style & flow stands out, you’ll never mistake me for another Colorado rapper.

Q: What would you like to see 2014 bring to the music culture in Colorado & to your career specifically?

Rebel: I would like to see this “Artistic Renaissance,” continue to grow. The amount of quality art coming from not only the music culture but all mediums is booming right now. From my own career I want to the see my new project “Colorful Abyss,” dropping next month do exceptionally well. I want more people to hear my music locally & nationally.

 

Logistixx

Q: Were you free-styling at the Rap-A-Thon? If so, how do you think the ability to freestyle enhances an artist’s arsenal?

Logistixx: I was both free-styling & spitting verses. I went up four lengthy times. I approached the first two times as a warm up with some verses & the last two I mainly free-styled.

Q: What differentiates you from other artists?

Logistixx: I believe that my confidence differentiates me from other rappers. But there are always new ways I will discover which differentiate me.

Q: What would you like to see 2014 bring to the music culture in Colorado & to your career specifically?

Logistixx: I would like to see more dope rappers get out there & form more connections with other rappers. As far as my career for 2014, it comes down to me & how I go about my come up since I’m my own competition.

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Before we part ways we have one friendly word of advice. All of the individuals we interviewed have bequethed you emcees to please familiarize yourselves with the proper form of a microphone checker. As a rapper the mic is your instrument, your tool, an extension of your message. Kind of like a wizard’s wand each microphone is different but here a few tips that will have you well on your way to conjuring magic with the mic.

Placement: Most microphones will pick up sound best at a distance of four-six inches from your mouthpiece.

Angle: Position the microphone at a horizontal angle. The horizontal position ensures that sound is shot directly into the resonator.

Grip: Do not smother the grill of the mic. Wrap your hand firmly around the stem & let that mic know you are not playing.

Movement: Wherever your head goes, the microphone follows. Think of the microphone like the red dot of a sniper rifle. No matter where the target sways, that dot is always aimed at it.

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We’ve listed links that will direct you to the lovely individuals interviewed above & their content:

Ru Johnson: Facebook  – Lizzy Brodie: Facebook – MCbig House: Facebook | BandCamp – Ill Seven: Website – Rebel Minority: SoundCloud – Logistixx: Website

 

Strange World Part II: Ces Cru Interview [Audio]

I know you’ve become accustomed to the usual. Rap music these days can be so predictable. But I hope you’re not too attached to your preconceived notions. If so your comfortability is about to be slaughtered. Ces Cru has no interest in catering to the conservative. There is nothing mainstream about Ubiquitous and Godemis yet their talent has the potential to launch them into worldwide renown. The eccentric duo exhibit a lethal combination of cerebral intelligence and lyrical ferocity. I had the privilege of conducting a lobotomy on Strange Music’s odd couple; delving into the brains behind their devilishly delightful music.

 

 

 

Strange World Part I: Krizz Kaliko Interview [Audio]

I must admit I was a bit anxious. I mean the man has established himself as a heavyweight. One the founding father’s of all that is Strange. In his presence his composed confidence is immediately evident. Underneath the calm surface lies a creative maniac. A rapper…no singer…no rapper who defies all attempts to categorize his craft. When conversing with Krizz Kaliko, what prevails is a person that is so earnestly humble and passionate. A passion that pushes his perfectionism. A perfectionism that has molded Krizz Kaliko into a true master of music; and what should really make you anxious…he’s only getting started.

 

 

 

Tables Turn: DJ Dozen Interview

Most of us can credit some of the best nights of our lives to a turntable operator. However, after a seamless set, how many of us thank the Dj who harnessed the sounds? A skilled Dj is a symphony conductor; synthesizing the perfect blend of music to stimulate the right mood, at the right time. I can personally attest to Dj Dozen’s finesse on the tables; and chances are you’ve enjoyed his vinyl concoctions. In light of all the heads nodded and sweated out curtesy of Dj Dozen I thought it was time to get acquainted with the mind behind the mixers and let me tell you; his thoughts are moving faster than fingers on vinyl. Follow him on Twitter @djDOZEN or visit djdozen.com; don’t miss any of his mixtapes dropping this summer.

Demi: How long have you been Dj’ing?

Dj Dozen:  I started Dj’ing when I was 15, almost a decade in now.

Tell us a bit more about your position with D.O.P.E Game.

Dj Dozen: I use my position as one of the more social elements to reach out to other artist and bring exposure to the movement. Konsequence and I do a lot of work with others just because of our skill set and that has made it easier to collab and get good music done.

Do you think Dj’s get enough credit/acknowledgement in the music community?

Dj Dozen: Yes and no. People who really enjoy music always show a lot of love, BUT in the day of this digital technology our skill set sometimes gets taken for granted; like we’re big IPods or juke boxes but we’re not. Dj’s have an opinion and analytical skills to rock a crowd, sometimes people wanna put us into a box and play cookie cutter music but that’s not what I’m about.

What would you like to see change in regards to the perception surrounding Dj’ing?

Dj Dozen: The only thing I’d like to see change is  people coming out with an open mind; ready to jam to the unexpected and leave the inhibitions at home. Nobody cares if u can’t dance, I wanna see that “we ain’t gonna remember this tomorrow, lets party” feeling. Oh and support people doing good QUALITY performances, hold these artist n Dj’s accountable.

As a Dj what you do you think your most important role is?

Dj Dozen: Set the atmosphere for what ever occasion it may be. If it’s a party-inspire folks to jam, if it’s a groove thang-feed em something to groove to, and if it’s a sit down function-blow their minds!

What’s your niche on the tables? 

Dj Dozen: I jam, I don’t play music that I don’t enjoy, no matter what genre it may be. So if u ever see me actively mixing you’ll notice my eyes are closed and I’m smiling cuz I’m just having a good time and the vibe gets contagious.

What are your favorite pieces of equipment?

Dj Dozen: That I have currently it’d have to be my Technics, since I started on vinyl. My Sennheiser Headphones (you gotta be able to hear what you doing) I just bought a MPC 2000 that I’m rebuilding from scratch so I’ll have some fun with that. Although I enjoy vinyl WAYYYYY more I like my Serato hardware/software. Technology saved me years of back pain lugging around crates.

How do you feel when you’re on the tables and people are turning up to your set?

Dj Dozen: I feel like Ric Flair…like WOOOO! I feed off people’s energy if there’s a packed house in front of me I’m trying everything I can to impress them. I want to make them break a sweat, shake their hair, jump around…and I’m right in there with them!

Do you make beats as well?

Dj Dozen: Yea that has just started becoming one of my main focuses; engineering has been more of my thing but the DOPE Game is DEEP on the production side. I’m inspired to go harder in the lab because I have all these DOPE producers around me. Dealz will MAKE me sit down n make a beat; him and Jones, Black Jordan, Jay Spydatek, Fat Tracks, Mo $, Yung Tru, Big Beats Mccree & Big J definitely inspire me to be DOPE’er.

What event or artist do you dream of Dj’ing for?

Dj Dozen: I’d LOVE to rock SXSW one time. I want to do the Paid Dues Festival, the Do-Over in LA, any local big music fests in Colorado. As far as artists go, Killer Mike, Add-2, Turner Jackson, Curtis King is dope too. Ultimately though I see myself doing something like Dwele; I’m an R&B head.

What can we expect from you in 2013?

Dj Dozen: Positivity, TMZ stories, babies mommas. Uhhh oh u mean musically, Ace 2 Spacey of Urbane Society is hosting the next DOPE Game tape, dropping here in the next few weeks. In June, Yung Tru is dropping a sample pack and beat tape. I’m working on a new project by LoveLady and getting in the lab with my boy Chuck T. Spydatek and myself have something cooking up. The SQUAD as a whole is working on this collaborative DOPE Game project. Turner Jackson and I are doing a monthly hip hop open mic on Thursdays at Funky Buddha starting April 11th. I’m doing ANYTHING Jeremy Pape puts in front of me to do. I missed Valentine’s Day for the Get Right so I’ll be dropping it here soon for the slow jam lovers. I have a new summer mix, a 90’s series called “Ashley Mixes” and a workout mix. I’m just working in general! I’m doing mixing, duplication, and hosting deals all summer so anybody dope should holla at me. I’m ready to work.