Tag: milehimusic

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Trev Rich: LA Interlude (Single Review)

“They Say We’re Hollywood Now, Because We’re Hollywood Bound, Only City Where The Stars Ain’t In The Sky, They’re On The Ground”

 

Trev Rich took the time out of his weekly commitment to Thursdays to bless another day with a release of a record. “LA Interlude” came out of nowhere on Sunday 11th of August, before it was even announced it was being released it felt like my timeline had links to the Soundcloud stream, and before it was even completely loaded it was gaining views according to Trev’s promoters tweet. I highly anticipated “LA Interlude” because in the past, Trev’s greatest songs have been interludes. “Dreams” from Joe Budden’s “A Loose Quarter” mixtape is undoubtedly the key component in why Trev Rich is as successful as he is right now, where as “The Way You Love” from “Heights” was a personal favourite for me. Seeing as the Denver rapper is known for his consistency – I write about it every time I review one of his singles or features – it was almost impossible that this song wasn’t going to impress my ears and engross a whole new generation of fans.

The beat, produced by Brinky Beats, is typically, majestically melancholic to add a disorientating juxtaposition to the love-song (And according to Jimmie Murphy Drake-esque) lyricism.  “How could I break a heart that simply just made mine beat” Trev spits, walking the thin line between aggression and romance with his emotive delivery before insisting that the anonymous addressee “will always be [His] LA”. The song is something new from Trev as far as I’m concerned. Neither “Heights” nor “Heights 2” featured an outright, unquestionable love song, and as much as I like it, it definitely feels as though this song was created to please the ladies of Trev’s constantly growing fanbase.

The track isn’t as career-changing as “Dreams” or as poetically quotable as “The Way You Love” but after only a handful of listens I prefer it over the latter. Maybe the Houdini metaphor is accurate, because magic could be behind Trev’s ability to be so consistently brilliant and he might just be the first to escape the box of Colorado Hip Hop if “New Forever” is as good as we’re all expecting. Listen to “LA Interlude” (Click Here) and let us know what you think in the comments below!

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Trev Rich: Breathe (Single Review)

“Moon Walking On The Sun, Getting Harassed By Billie Jean”

 

The latest installment of “#TrevThursdays” see’s the Colorado emcee deliver something his fans have eagerly been waiting for, for the past seven months. A video. The song which is given a visual accompaniment is a throw back to Trev before he became Trev Rich and before the “Dreams”, Joe Budden co-sign. Ten months ago, Trev released “Breathe” featuring FL of The Foodchain to his official SoundCloud, but the track could originally by found on the Rockie G5 “Gold Dreams” street album. The track evidences that even before he was signed to Mood Muzik Entertainment, Trev was tantalisingly talented behind the microphone.

My favourite lines of the track are the Michael Jackson reference, quoted above, and “Lebron gon’ get a ring before she does” and the bar which follows on “Never been the type to make that ass sign a prenup, but after seeing all the Kobe jokes she gotta ink up”. Trev has a particular skill when focusing metaphors and wordplay around Basketball, I wonder if a remix of Budden’s “NBA” track could be a future TrevThursday track? The featured FL manages to keep up with Trev,bar for bar but I’m not sure if any particular bar could be highlighted as a stand out because they’re all consistently great, at a push I would choose the “sow/seed/grow” wordplay, but everything which follows is equally as enjoyable.

The video, brought to us courtesy of Emergency Room Films, contains a mixture of both high and low key lighting, the quality appears to decrease in the darker scenes but the brighter the lighting, the better. The framing from directors, Nache Green and Vince Lance, is fantastic although I could question the use of social realism conventions in the video being acted rather unrealistically in the basketball scene. Is anyone that bad at sport they just let the other player past with barely moving? Aside from a few issues, I am very happy to see Trev delivering the visuals he promised in our last interview and hope to see more for tracks from “Heights 2”, particularly “Red Cup Blues”. You can watch the video for “Breathe” via Emergency Room Films official YouTube account (Click Here).

What do you think of “Breathe”? Are you happy to see Trev making videos? What track would you like to see Trev make a video for next? Comment below! 

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Jimmie Murphy: Clearing My Thoughts (Single Review)

“Imma Scream This Squizzy Shit Till I Finally Leave”

In the same week that his fellow Squizzy Gang member Trev Rich released “The Break” – Trev’s self-professed “Black Cloud” – Jimmie Murphy dropped “Clearing My Thoughts” and delivered a track which wouldn’t be out of place on ‘Mood God’ Joe Budden’s “Mood Muzik 4.5”. The track provokes emotion in every syllable that Jimmie spits as he portrays a love for his family that is hard to compare to any other artist than Trev and his “I Would Have Told Her” record. Usually I prefer B.More when he caresses the microphone with his vocal chords rather than emceeing, but this rap record is one of the greatest tracks I have ever heard from him and three of his tracks are already in my Top 25 most played on iTunes.

Jimmie begins clearing his thoughts by professing his love for his Squizzy Gang cohorts (“Imma scream this Squizzy shit ’til I finally leave”)  before taunting an unknown adressee about his girlfriend (“When your girl come around she can’t breathe”) but as the track progresses after an awkwardly delivered (“You don’t know what can come out of it”) Kevin Ware line, Jimmie captivated me with lyricism such as “When my family gotta eat, I’m ready to die” and a touching series of bars addressed to his Brother. The emotionally resonating lyricism is assisted with near-perfect delivery as B.More showcases how personal the track is to him with unparalleled passion. In a state in which Trev Rich is consistently applauded for his take on the Mood Muzik style of Hip Hop, Jimmie is under-appreciated and undervalued in his own efforts of emotional music. “Clearing My thoughts” is an absolute gem, and I’m sure all listeners of the song will wholeheartedly agree with me.

Follow Jimmie Murphy (Click Here), Myself (Click Here) or the MileHiMusic account (Click Here) on Twitter and let us know what you think of the track in the comments below. You can listen to and download “Clearing My Thoughts” via HulkShare (Click Here). Thank you for reading.

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AGE: Toe Tapping With Angels (Single Review)

“Do You Even Care About The Kids That Die From Hunger? The Numbers Growing Every Day Do You Even Wonder?”

Last month I was scouring my MileHiMusic email account for music submissions in the hope of finding a new artist I could take an interest in that wasn’t affiliated with Squizzy Gang. As much as I like Colorado’s hottest music group, I needed something else to write about. It disappointed me that some of the submissions I received were embarrassingly bad, others were okay but I wouldn’t have too much to write about and there were even a couple that had submitted and weren’t from the state of Colorado. Then I came across two songs which grabbed my attention and stood out above the rest, and I noticed they were both submissions from the same artist: AGE.

Listening to “Toe Tapping With Angels” and “Misunderstood I Might Be”, neither were flawless by any means, but not many tracks are. The factor which grabbed my attention was that AGE managed to sound alike to a plethora of artists I was already a fan of. The opening bar of “Toe Tapping With Angels” in which AGE announces “I’m not dancing with devils, I’m toe tapping with angels” sounds like KeL iLL infused with fellow www.rap-royalty.com member Nell assisted by the melancholic beat both of those artists excel under. From a lyrical standpoint, AGE is reminiscent of An0maly, a rapper I have been a fan of for many years, as the Colorado emcee opts for a multi-syllabic rhyme scheme without venturing into overly-complex lyricism in order to showcase a level of skill whilst remaining clear on what he is talking about, rather than opting for a polysemic, ambiguity laden approach which may have put listeners off. Thematically, AGE manages to maintain a style synonymous with Mood Muzik Entertainment as the track is darker than the “all black” dress code AGE describes in the opening verse.

A plethora of paranoid, conspiracy, thought provoking bars are awkwardly interrupted by the mention of “bitches”. There is absolutely no need to mention “bad bitch” in this song, and the fact that AGE deemed it necessary to do so, destroyed my love for the song. I was able to overlook the overly melancholic tone sometimes becoming monotonous up until the young rapper spat out “gold-digging bitches”. Those five syllables alone stopped “Toe Tapping With Angels” being an incredible song. There are other flaws in the track but none half as bad as the poor placement of misogynistic lyrics which are better suited to generic club-hop than a track which in preceding bars was questioning the listeners thoughts on social issues and exploiting societies apathy.

Overall, I would still recommend that Hip Hop fans gave “Toe Tapping With Angels” and other AGE tracks a listen. Chances are you will either love or hate the Colorado emcee just like the other artists I likened him too. Personally, I love him; there are some parts I hate about him too, but as he develops and matures, he can only get better. You can follow AGE on Twitter (Click Here) and watch his YouTube videos/Listen to singles (Click Here). Make sure you comment below and let me know what you think of this review or the “Toe Tapping With Angels” track itself. You can follow myself on Twitter (Click Here) and the MileHiMusic account (Click Here). Thank you for reading.

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Splyt: Rise to the Top

Doing what we do and doing what he does, it was only a matter of time before our paths crossed. Twenty-two year old Chris Vigil a.k.a. Splyt is definitely a Colorado artist to look out for. He’s been opening up for some pretty big names, and after every performance few can deny that he walks away leaving a huge impression on everyone in attendance. Not only is he “doing it”, but he’s “doing it” the way it’s suppose to be done, and I’m sure he’s doing what plenty never imagined he could. His latest project REMADE has already gotten more than 500 downloads, which is a pretty big feat when you consider most artists on the rise will be lucky to hit 200. With that, it’s our privilege to introduce you to an artist with momentum…

How did you come up with your Moniker “Splyt”?

S: [laughs] I have to take you through the process. In high school, I was originally a “singer” (a bad one) and I would write rhymes on the side that a homie of mine would use for his rapped verses. This was before Drake really did his thing so when my first song was recorded I was asked what my name was for the credits.  I thought “singer that writes raps, that’s like a split personality of subject matter” so in the interest of being unique (and young) I decided to put a Y instead of the i, and that stuck. I soon realized I didn’t have the overwhelming talent for singing so I decided to stick with rapping and it’s starting to look like a great idea.

Do you remember what the first rap you ever wrote was about?

S: My first rap, damn this is definitely hard to think back to. I think I was 14 and I found an instrumental of Jadakiss’ ‘Why” track and wrote a remix. The first lines were like “why are some kids born rich/ why can’t my family ever seem to afford shit/”. [laughs] I thought I had it so hard…

Who in the music industry do you think you would vibe with the most, and why?

S: Artist-wise: I’d probably say Wale. His lyrics really resonate with me on a personal level and I feel he’s an artist that really reflects his personality in the music like myself (not to say that I’m on the same level as Wale at all, dude’s a straight-up genius).

Producer-wise: I’d say either Timbaland or Ryan Lewis. I think their wide range of versatility would be awesome for me to kind of run wild with. I don’t just write party bars, I write a lot of R&B tracks and deep shit as well that I’m feeling more and more comfortable with so I’d really like to have somebody that is willing to produce outside the box as well.

What was your first big show?

S: My first big show was opening for Hoodie Allen on his All-American tour-stop at Bluebird Theatre in Denver (May 3, 2012). It was sold out and packed by the time I was supposed to go on and my R&B singer/hype man bailed at the last second.

Backstage about 5 minutes before I was supposed to go on, Dan (this was the first show of mine he had ever booked) and Stryker (this was the first show of mine he had ever been to) both said they would go out there, run music and introduce me to perform. This is the show I refer to in the track “Anything” as us running sound out of an iPhone on airplane mode. I think it was such a bad show for us (by no fault of Dan or Stryker, both not really having anything to do with the show until five minutes prior) but it sparked the partnership we have today and we only continue to get better as we go along.

With skill just being one part of the equation, what else would you say has been a significant contribution to your growth/success?

S: The most significant contribution is by far the team I have with me. My manager Dan Hargrove and graphic designer Stryker have had such a huge impact on my career trajectory that I literally don’t even put anything on my résumé that happened before them cause that was practice.

Although I write and perform all of the music, they are truly a huge asset to the business and creative side of things. I can bounce ideas off of them, and if they don’t like it then I move on or make it better. It’s a bigger help than I can put into words for real.  It’s also a feeling of more confidence to push my own personal limitations that has also contributed heavily. When you’re comfortable with what you do then other will be comfortable receiving it.

On your latest project REMADE you have a song called “Teeter” with a miss Sunday Lane. What was the inspiration behind that song, and how did you initially hook up with Ms. Lane for the collaboration?

S: My inspiration for that track was actually a relationship of a friend’s that was very destructive but neither of them could bring themselves to leave the other. Sometimes there are just people meant to be together, and I think this track really depicts the tougher side of that “fairy tale”.

Dan actually grew up hanging out with Sunday’s sister. So when he jumped on as manager, one of his first suggestions was to get a collaboration with her and that was a golden idea. Sunday’s an insanely talented artist and such a great person.

Speaking of girls, you seem to have a lot of ladies rooting for you. Do you think they’ll have a big part in your success?

S: I think ladies have a huge part in the success of pretty much ALL things out there. I love the ladies of the Squad, they’re by far some of the biggest supporters of what we’re trying to do for Colorado.

When girls claim Squad then guys may just follow to stay with the same interests as them, you know? Every fan is important to me so I never value somebody over another.

But, being that I started really dedicating my life and drive to music after a failed relationship, it’s dope to have as strong of support as we have from the ladies. Kind of a “told you so” moment to my ex haha.

You’re opening up for Macklemore on April 20, how the hell does that feel?!

S: In one word: surreal!

When me and my team first linked up, I thought it would take 3-4 years to do a show with a major artist, let alone the biggest artist of right now. We got the news on Chrismas (before Home Stretch or Remade) so it only took us 7 months…truly amazed but not surprised considering the amount of work we all put in.

What is your goal with this whole music thing?

S: My goal is to keep getting better, make the best music I possibly can, give my team and family a comfortable life, make my home state proud and be respected for what I do.

I know not every single person will like what I make or do for a living, but as long as they respect me as a person the same way I respect others, that’s all I can ask for.

A selfish goal of mine, real quick, is to prove all those people that laughed at me when I first started, wrong. Nothing drives me more than that hate.

What do you think needs to happen next to get you to the next level?

S: I think I need to put out quality music videos. Which is something that we’re invested in at the moment. Our philosophy is to never do something until it’s gonna be done at 100%. We can shoot a video tonight but if it isn’t up to a standard that we laid out for our fans, then it’s nowhere near being worth it. Consistent improvement is our aim.

Are there any other Colorado rappers you listen to?

S: I listen to pretty much every Colorado rapper I can, like Lebron watches other NBA games, to keep track of the competition. I’m super competitive, I want to be the biggest artist in the world but to get there I have to hold down the state that I’m from and rep harder than anything else.

The artists I listen to regularly though are my homies D-Stylz and Pizzie, they keep me on my toes for sure. Shows with all three of us are going to absolutely crack in the future, can’t wait for that! Coming up though, my favorite Colorado rapper though is C-Notesche (who’s actually Stylz’ labelmate now). I still bump his tracks all the time shout out to C.

What’s your favorite song to perform and why?

S: I have to pick two, Settle Down and Youth.

Being that settle down has some fun back and forth with me and Stryker and it’s usually on the front end of the show, I don’t think a lot of people expect for it to be so fun.

Youth is always close to the end and seeing how many hands go up when we ask for the “ones up” kind of proves to me “yes, we came in as an opener and now this crowd is partying with us”. There’s no better feeling than to have nobody know who the hell you are 30 minutes ago, then be a huge fan now. It’s awesome.

When can we look forward to your next project?

S: End of 2013, I already have the name for it and the concepts, way more social issues to accompany the party tracks I love to do. The Home Stretch 2 will come out before the actual project so people will begin to expect the trend I hope. I started writing actually the night Remade came out so I’m ready to get back at it, after these shows of course.

Anything you want people reading this to know?

S: First and foremost a sincere thank you from the bottom of my heart for all the support of the work that I put in. It never feels like work cause I truly do love it but to see that what I love brings others so much joy and helps them get through something in their life, it’s such an awesome feeling.

My music is me, it’s what I think, it’s who I am, it’s who I’m trying to grow and become. The people that connect with that are people that connect with me, think some of the same things I do, and go through the same things I do. I’m just honored to be the voice y’all listen to and ride with.

This is why I try every way I can to connect with the fans, yeah I’m busy now but I’m never too busy to respond to anything I can.

– Chris Vigil aka Splyt

 

You can stay connected to Splyt by liking his Facebook page HERE, and by following him on Twitter HERE.

Keep your eye on this guy and just… WATCH

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