Infinite Rhymes: Inside the Rap-A-Thon

 

The culture in Denver is so thick, I don’t think a knife could slice through it. January 10th’s Rap-A-Thon was a hearty representation of the thriving MileHI Music scene. The Savoy was a delightful concoction of versatile flavor. A rather saucy crowd displayed the Denver fashion scene with much grace & dapper. Local brands Illah Strated, Errld Apparel, & the Hedi Counsel brought offerings of freshness. The first lady of Colorado, Mary Jane, was highly honored with Royal Blunts & Cannoisseur sharing their wealth. The air was fragranced by plumes of smoke & aromas of dabs. Deep Eddy Vodka coated the throats of happily inebriated patrons. Most importantly, ears were adorned & positively permeated with strong rhymes.

For three hours rapper after rapper dropped their piece. More impressive than the quantity was the quality of lyricism. Artists from all corners of the box came out to hard body the cypher. A few of our favorite crews came united and conquered. Special mention goes out to Urbane Society, Soul City Studios, Squizzy & Welcome to D.O.P.E Game. The array of artists who gripped the mic was so vast we just couldn’t cover everyone. The numerous artists I was itching to feature slipped anonymously away into the crowd. I will be throwing lassos & reeling you all in at the next Rap-A-Thon. For now, please know our collective ears were pleased with the lyrical presentations of the night. To those of you who didn’t attend the event, we’ve collected responses from all perspectives of the cypher. The scoop doesn’t come from the goodness of our hearts. Really, we mean to make you jealous about the psychedelic evening you missed. Below you’ll hear the takes of Ru Johnson & Lizzy Brodie who planned & produced the cypher, as well as commentary from the host MC Big House & three of the participants: Ill Seven, Rebel Minority, & Logistixx.

 

Ru Johnson & Lizzy Brodie

Q: What is your vision for the music scene in Colorado?

Ru: Elevation. Cooperation & upward movement.

Lizzy: To continue to support & showcase the talent!

Q: How do you believe cyphers like the Rap-A-Thon impact both artists and audience?

Ru: To see such a big cypher positioned to focus only on the rhymes is quite incredible. Both the emcees & the audiences are always pleasantly surprised to find such a solid focus on the rhymes & the celebration of the emcee. Artists become inspired by their craft while audiences get to indulge in an onslaught of never ending rhymes. Win, win for all involved!

Lizzy: The Rap-A-Thon is special to me because of how positive the feedback is. The emcees get so excited & are grateful to have a platform to showcase
their skills, learn & create with so many other local talents. I think it brings something completely new to the artist & the community.

Q: If you could deliver one message about the creative culture in Colorado what would that message be?

Ru: The scene is thriving, independent & incredibly motivated & inspired by organic movements. Colorado is more than weed & mountains (though we love both), but a place where artists are tapping into the deepest parts of creativity & executing the vision with perfection.

Lizzy: That we are here, growing & learning! There are so many motivated & passionate people here; tapping into your creative skills is not hard to do! Come get inspired in Colorado!

Q: When can we expect another Rap-A-Thon?

Ru: The next Rap-A-Thon is yet to be announced however we will be competing to break the Guinness Book of World Records for marathon rap time. We outchea.

Lizzy: Yes! I don’t think the people would let us stop this event. We are looking to break records next time! The Rap-A-Thon will only get bigger &
better from here.

 

MC Big House

Q: In your opinion what is the ideal outcome of a cypher?

Big House: The ideal outcome of any cypher is to evaluate the elite vs the average; the emcee vs the rapper; the skilled vs those who think they have the ability! All of that while allowing by standers to become fans of what they find interesting in each participant. However, some may leave with fewer fans.

Q: What are your tips for commanding a crowd?

Big House: Commanding a crowd involves skill first, you can’t control a crowd if you first can not control a microphone! Know your craft! Have a commanding voice, speak with authority, be original, be intellectual, be above average. Many people are involved for many reasons, be able to cover as many bases as you can in the length of time provided.

Q: Do you consider it cheating if a rapper isn’t free-styling?

Big House: In this day & age you can’t expect someone to completely freestyle in a cypher, unless it’s classified as a freestyle session. A lot of people these days choose the pen game over the freestyle game. Many rhymes are premeditated in a cypher. Basicially, people bring their cheat sheet, but the class can now use their notes on the tests.

Q: What do you envision for the music scene in Colorado?

Big House: I vision for the music scene to be put on an international spotlight,and allow our scene to be respected for the talent within these walls. I believe that recognition is achieved by creating undeniable music; above standard business practices, & ultimately uniting the community to stand strong for the arts produced here!

 

Ill Seven

Q: Were you free-styling at the Rap-A-Thon? If so, how do you think the ability to freestyle enhances an artist’s arsenal?

Ill: All my rhymes except for one verse were freestyle; I think the art of freestyle is important because it forces an artist to work that brain without over analyzing. Free-styling gives you the true spirit of an artist, not one that is premeditated.

Q: What differentiates you from other artists?

Ill: My movement. I’m an Artivist, meaning an artist that’s an activist. I do workshops in middle & high schools, as well as colleges. We discuss dealing with social problems & come up with social solutions. I think it’s easy to focus on money. I choose to use my art to provoke & motivate change. I believe revolution is dead & the next step is for the people. For us to step into evolution, the progression of the mind. There’s not only black and white issues, but people issues. Issues ranging from misogyny to the haves vs the have nots.

Q: What would you like to see 2014 bring to the music culture in Colorado & to your career specifically?

Ill: I’d like to see the music scene step out of the boxes & limitations that the commercial main stream puts on us. As for my career, I want to see myself grow into a voice of the people & use my art as the vehicle.

 

Rebel Minority

Q: Were you free-styling at the Rap-A-Thon? If so, how do you think the ability to freestyle enhances an artist’s arsenal?

Rebel: I was, I like to challenge myself & feed off of the energy in the moment. I think that ability does enhance your arsenal & showcases lyrical ability & flow away from writing. Ultimately though, free-styling is fun for an artist.

Q: What differentiates you from other artists?

Rebel: At the event it was all about love & having fun. I think my lyrical content sets me apart, I choose to talk about different topics & address them in a unique way. I make music that is a reflection of me not what the industry demands. I also feel my style & flow stands out, you’ll never mistake me for another Colorado rapper.

Q: What would you like to see 2014 bring to the music culture in Colorado & to your career specifically?

Rebel: I would like to see this “Artistic Renaissance,” continue to grow. The amount of quality art coming from not only the music culture but all mediums is booming right now. From my own career I want to the see my new project “Colorful Abyss,” dropping next month do exceptionally well. I want more people to hear my music locally & nationally.

 

Logistixx

Q: Were you free-styling at the Rap-A-Thon? If so, how do you think the ability to freestyle enhances an artist’s arsenal?

Logistixx: I was both free-styling & spitting verses. I went up four lengthy times. I approached the first two times as a warm up with some verses & the last two I mainly free-styled.

Q: What differentiates you from other artists?

Logistixx: I believe that my confidence differentiates me from other rappers. But there are always new ways I will discover which differentiate me.

Q: What would you like to see 2014 bring to the music culture in Colorado & to your career specifically?

Logistixx: I would like to see more dope rappers get out there & form more connections with other rappers. As far as my career for 2014, it comes down to me & how I go about my come up since I’m my own competition.

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Before we part ways we have one friendly word of advice. All of the individuals we interviewed have bequethed you emcees to please familiarize yourselves with the proper form of a microphone checker. As a rapper the mic is your instrument, your tool, an extension of your message. Kind of like a wizard’s wand each microphone is different but here a few tips that will have you well on your way to conjuring magic with the mic.

Placement: Most microphones will pick up sound best at a distance of four-six inches from your mouthpiece.

Angle: Position the microphone at a horizontal angle. The horizontal position ensures that sound is shot directly into the resonator.

Grip: Do not smother the grill of the mic. Wrap your hand firmly around the stem & let that mic know you are not playing.

Movement: Wherever your head goes, the microphone follows. Think of the microphone like the red dot of a sniper rifle. No matter where the target sways, that dot is always aimed at it.

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We’ve listed links that will direct you to the lovely individuals interviewed above & their content:

Ru Johnson: Facebook  – Lizzy Brodie: Facebook – MCbig House: Facebook | BandCamp – Ill Seven: Website – Rebel Minority: SoundCloud – Logistixx: Website

 

Adam Duncan – Ga’Damn (Single Review)

“Sex is incredible, body’s amazing still, there’s only one way that could describe the way that you make me feel…Ga’damn.”

 

One of Colorado’s hottest pop artists is following the trend of turning to R&B much like Justin Bieber has done so – to many plaudits – recently. Adam Duncan is planning on releasing an R&B album after the impressive “Don’t Wanna Go Home Vol. 1” project presented his phenomenal capabilities when it comes to pop – and we even seen a little Hip Hop in there too. The lead single from the as-yet untitled project is produced by Nite (Well known for his production for Trev Rich) and the drum-heavy beat provides a brilliant foundation for a fantastic track.

Shades of Drake circa “Take Care” shine through on “Ga’Damn” as Duncan verges on rapping in one part of the R&B song in similar style as the “Nothing Was The Same” rapper/singer. If “Ga’Damn” is a true representation of the upcoming project we can expect a blend of Drake and Justin Timberlake with a lot of focus on the female figure and of course the desire to regain an ex’s affections. Duncan’s giving Jimmie Murphy a run for his money here, but their styles of R&B differentiate in that “Ga’damn” is much more radio-ready than anything from “Descendre”.

I can’t help but feel this is an amazing opportunity that Adam Duncan has opened up and I for one am looking forward to hearing a full project of his take on the R&B genre – so long as he doesn’t completely stray away from his pop side either. What do you think? Do you like the record? Or would you prefer Adam Duncan to remain in his current lane? Let us know in the comments below!

 

10 Creative Album Covers of 2013

 

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What would music be nowadays without the visual arts that accompany it? While everyone likes to recognize the music, we wanted to show some appreciation to some very talented Graphic Designers out there. This year in Colorado, some artists neglected their packaging while some went all out. Here are ten of the most notable album covers of 2013…

 

1. One Republic – “Native”

Designed by: Willo Perron 

You have to admit that this is one of the coolest album covers you’ve seen in a while. Taxidermy never made so much sense.

2. Princess Music – “Odobenidae”

Designed by: Levi Nelson

Whether you refer to them as Walruses or Odobenidae, I’m sure you can appreciate this water color design of one of nature’s biggest and laziest sea mammals. The broken tooth gives it that personal touch as if the designer had met this Walrus in person and wanted to capture it’s uniqueness. The blob/drip on the left  makes you wonder whether it was purposely placed or just one of those, “Oops!…Oh well” moments.

3. Myke Charles – “Flight Plan”

Designed by: Jordan Downey

The magnificence of the Rocky Mountains fused with the vastness of space, buffered by a glowing horizon, makes for great cover art. The designer really hit it on the head with this one.

4. Trev Rich – “Heights”

Designed by: @Qnowledge

This album cover amazes me every time I look at it. If you’re familiar with digital design then you know what goes in to creating a design like this. It’s hard not to acknowledge the crispness of all the elements.

5. Paul Basic – “Transient Horizons”

Photo by: Ivan Kashinsky

This cover art speaks volumes, especially if you have a mind insistent on contemplating what the future will look like. The photo kind of looks like it might be a digital design but it’s actually a real abandoned building in Ecuador. You can see the original on Ivan’s Instagram HERE

6. Turner Jackson – “ABC”

Designed by: Jeremy Pape

Jeremy really out did himself with this one. From the Teddy Bear with it’s head ripped off to the filter that adds an almost grainy or chalk like texture to the cover as a whole – this will always be a favorite.

7. Pries – “Honey Jack”

Designed by: Pries (himself)

In case you didn’t know, Pries designs all of his album covers as well as some album covers for a few of your favorite artists. It seems like every cover is better than the last. This one in particular, which is the cover of his latest project, made the list because no one else would have thought to fuse origami and a plastered wall texture to make a one of a kind Album Cover.

8. The Photo Atlas – “Stuck In A Honeytrap”

Designed by: Amanda Olsen

There’s so much going on in this design, that it keeps your eyes jumping from one place to another trying to piece the whole thing together. Tree on fire, bear chained to tree, bee hive, honey dripping. It all seems so damn symbolic, but I just can’t figure it out. Any ideas?

9. Pretty Lights – “A Color Map of the Sun”

Designed by: IS050

This cover reminds us so much of the old Pretty Lights  website (which was awesome!). IS050 aka Scott Hansen, managed to give this album cover the vintage look and feel  that Derek was shooting for with the album. After staring at this album countless times, I’m starting to understand PL’s fascination with lights!

10. BLKHRTS – “Death, Romance and The Color BLK”

Designed by: JIMBO

BLK HRTS actually held a design contest leading up to the release of their latest album. Many designers submitted their work via Facebook, and at the end of it all this one held strong. Some of you might be thinking, “What’s so creative about a picture of a plastic heart?”. Feel free to tell us why it’s not…

 

Do you feel like we missed an awesome album cover design that dropped in 2013? Or do you think there’s a design that doesn’t deserve to be in this list? Feel free to leave your comments below

 

One Republic: Counting Stars (Single Review)

 

“No More Counting Dollars, We’ll Be Counting Stars”

“Counting Stars” is just one highlight of an understated album amassed with an array of awesome tracks. A few fillers here and there, but on a whole “Native” is a must-buy. The chart-topping single’s opening chorus – using an acoustic guitar backdrop – acts as a gravitational pull to a listeners ear, luring them into a false feeling of melancholy as Tedder croons lyrics laden with love references before a beat of a drum brings the track to life. A catchy repeat of the chorus follows which is probably a key component in why listeners have been captivated by the track enough to make it the groups most successful single yet.
 
The lyricism in each verse is luxurious, proof of why One Republic are such a well-loved, world-renowned band with a bright future ahead of them. Although I can’t comprehend why the Colorado five-piece have never sustained success, “Counting Stars” is surely a step in the right direction and a few more releases off of “Native” could hardly harm either. What do you think of “Counting Stars”? Let us know in the comments below.

 

 

Rachel and the Kings: Soldier Boy (Single Review)

“Soldier Boy” is the song you would listen to on those rainy summer days, and cold winter nights. When you are pining for that one person you want, but can’t have. With thousands of songs written about love,  the band behind the song, Rachel and the Kings, give the ballad of confession a new sound.  A smooth and atmospheric guitar opens the song. It’s dissonance leads you into the crisp vocals. Rich in tone, Rachel’s voice blends into the harmonies of the driving melody. The use of deep bass drums adds distance and depth to the track. With a variety of instruments throughout the song to move it along, every new segment pulls deeper and deeper into the songs musical structure (especially at 3:53).
The lyrics tell a classic theme but in a unique metaphor. The use of War as a comparison to a relationship might seem harsh, but the words used paint a picture to the listener that is an alternative to what we hear on the radio today. “Soldier Boy” is a great pop-rock/alternative ballad full of amazing vocals and musicians that know their stuff.
 

 

 

Find out more about Rachel and the Kings:
Web: http://rachelandthekings.com/
Music: http://www.reverbnation.com/racheljamesandthekings
Facebook: https://www.facebook.com/RachelandTheKings
Twitter: https://twitter.com/rat_kings