Trev Rich: LA Interlude (Single Review)

“They Say We’re Hollywood Now, Because We’re Hollywood Bound, Only City Where The Stars Ain’t In The Sky, They’re On The Ground”

 

Trev Rich took the time out of his weekly commitment to Thursdays to bless another day with a release of a record. “LA Interlude” came out of nowhere on Sunday 11th of August, before it was even announced it was being released it felt like my timeline had links to the Soundcloud stream, and before it was even completely loaded it was gaining views according to Trev’s promoters tweet. I highly anticipated “LA Interlude” because in the past, Trev’s greatest songs have been interludes. “Dreams” from Joe Budden’s “A Loose Quarter” mixtape is undoubtedly the key component in why Trev Rich is as successful as he is right now, where as “The Way You Love” from “Heights” was a personal favourite for me. Seeing as the Denver rapper is known for his consistency – I write about it every time I review one of his singles or features – it was almost impossible that this song wasn’t going to impress my ears and engross a whole new generation of fans.

The beat, produced by Brinky Beats, is typically, majestically melancholic to add a disorientating juxtaposition to the love-song (And according to Jimmie Murphy Drake-esque) lyricism.  “How could I break a heart that simply just made mine beat” Trev spits, walking the thin line between aggression and romance with his emotive delivery before insisting that the anonymous addressee “will always be [His] LA”. The song is something new from Trev as far as I’m concerned. Neither “Heights” nor “Heights 2” featured an outright, unquestionable love song, and as much as I like it, it definitely feels as though this song was created to please the ladies of Trev’s constantly growing fanbase.

The track isn’t as career-changing as “Dreams” or as poetically quotable as “The Way You Love” but after only a handful of listens I prefer it over the latter. Maybe the Houdini metaphor is accurate, because magic could be behind Trev’s ability to be so consistently brilliant and he might just be the first to escape the box of Colorado Hip Hop if “New Forever” is as good as we’re all expecting. Listen to “LA Interlude” (Click Here) and let us know what you think in the comments below!

Hatch The Bird: Q&A

 

by Jennifer Kerber

Hatch the bird is a Colorado based band that is comprised of Ian Hatch on vocals, Jamie Beekman on harmonies and keys, Chris Cook as the Bass Man, and Eric Neal on drums.  Hatch the Bird’s influences are akin to Alex Clare, Bradley Nowell, DISPATCH, Cas Haley, Ottis Redding, and many more.  I recently had the pleasure of sitting down with the lead singer, Ian Hatch, and got to ask him some questions about the band.

Enjoy!

 

Your band name, Hatch the Bird, is one of the few greats I have come across. How did you first come up with the name, and how did you meet your other members?

Ian Hatch:  The name for the band is a metaphor for the moment when you are listening to music at a live show, and you get so caught up in it that nothing else in the world matters. It seems like there so much stress in the world, and so much to think about all the time, and our goal with Hatch the Bird is to let people take away from that, and relieve anxiety, and have a moment of clarity, when you can just feel it ease. All you have is the music, and you are in that moment. I really try to embody that while I am on stage.

All the members of the band are students at the University of Colorado at Denver, either in the recording arts program with me, or Music Business program. Jamie Beekman is an amazing piano player and singer, Eric Neal is the drummer, and Chris Cook on bass, He also plays with another band called Green River Vibration. We came together through school.

In your Biography, you tell us that you grew up in the mountains of Colorado, I too grew up in a small mountain town, and I know that the way I see the world is very different from some who have lived in a city their entire lives.  Do you think that where you grew up had a big effect on the music you play?

Ian: I grew up in Vail, Co. I guess I didn’t realize how lucky I was until I left, and you get to see the world a bit more. Then it really hits you, “WOW, I am very fortunate and it was just an amazing place to grow up.”  I think that growing up in the mountains definitely has an effect on the music I play.  I definitely have a bit of a country feel to it though, and I wouldn’t consider myself a country artist at all. The spirit of the mountains, and I think a lot of what I write comes from the experiences I had in nature, and those connection you get with the Earth when you are out there all by yourself. That definitely is an influence of mine.

Living in the city can be really tough to get back to the mountains. The hustle and bustle of the city if crazy compared to life in the mountains, everyone in there is on a different plane and move at a different speed. The stress level is extremely lower in the mountains, it’s almost hard to keep a job in Denver.  In Vail everyone is laid back, and I carry that attitude with me, and some see that as being lazy potentially, we do things differently in the mountains.

What do you enjoy doing the most when you are not performing or working on your music? 

Ian:  Well these days it seems like all I really do is work on music, which is awesome. I am really, really busy every day getting everyone on the same page for band rehearsal, setting up recording sessions, or writing with different artists. When I am not working on music, I am usually sleeping!  {Laughs}  But other than that I like to get outdoors when I can – I rock climb, try to go to the mountains, and enjoy the air, and weather.

My life ultimately does revolve around music, if I am not doing that, I feel like I am not doing much. It’s a good thing though, and I love that I am staying busy doing what I love to do. It’s one thing to be busty with a job you hate, when you actually like what you are doing it makes a world of difference in life.

 When I saw you play the CAM JAM, It was the first time I had heard you play live.  When you step on that stage I noticed a change come over you.  Once you had your guitar in your hand, and a microphone in front of you, your whole body relaxed and it felt as if the music just flowed. Do you practice a lot, or does it come naturally to have so much fluid motion between the vocals and guitar parts?

Ian:  One of my favorite things about being a musician is performing. To me it’s just the ultimate expression. And sometimes I even feel like I can’t practice the way I perform, I know people say practice the way you play, but for me I don’t feel like I can because I put so much energy into my performances, and If I did that every day at practice, I wouldn’t have anything left for the performance. My favorite thing in the world, is playing for people who haven’t heard me before, I really get off on that knowing that there’s a potential for really wowing people. Even if one person comes up after a show, and says, “Wow that was awesome, you have a great voice, or that one song really got to me.” That makes all the difference in the world to me.

My favorite part of this is performing. When you get up on stage, I feel like that’s where I belong.

I do practice a lot, my goal is to be prepared enough when I get on stage, and I don’t have to think about what I am doing. I find that when you get caught up in your head on stage the performance ultimately suffers. I want to be in the moment, just like I said before; you want there to be nothing but the music.

Your song “The Wait” is one of my favorites, to me, it speaks of that longing of waiting for someone to notice you.  What inspired this song for you?

Ian:  This song is about a song!  One of my biggest influences is Bradley Nowell from Sublime. That song is definitely personal to me; because of the experience of waiting and longing for someone we’ve all had I’m sure. The song that I based the weight off of is called, “Waiting for my Ruca”, in the song he meets a woman named Ramona at a party, and he mentioned that he was waiting for her. That’s where I took the inspiration from for this song; definitely put my own experience into it, you know, when you are intrigued with somebody and hoping that they will show some kind of interest back.

It’s definitely a personal song to me, and I am glad I able to share my influences from Bradley Nowell with the world. I think that he was an amazing musician that died too young unfortunately, and left an amazing legacy behind.

What is your outlook on the record industry today?

Ian:  Because the record industry has changed, and artists have lost a lot of profits on records sales because of illegal downloads. MY goal these days is to get my name out, and heard the music. I think that if people heard what I am doing, ultimately people will like it. I hope, you know I can’t guarantee anything, and I know everyone has to have their haters, and I can only hope I have a couple of those out there. But for me I just want people to hear my music and appreciate it. I don’t ever plan on selling my music, I think that it should be free for people to hear. I want people to hear it for free. I think it’s great how we can share music online.

The internet has opened up a whole new way to promote your music, but it also has it’s downsides I noticed that you allow fans to download your tracks for free off of your Reverb Nation page. What do you think about online music Sharing? 

Ian:  Accessibility is key in today’s music industry. If you make yourself inaccessible by demanding money, then ultimately you will miss out on fans.  I am totally open and working on setting up a donation based system. We are coming up with Hatch the Bird’s premiere album here very soon, my goal is to have it available for free download with the option of donating to our cause.

Everything costs money, studio time, gas to gigs, rehearsal, time and commitment. I hope that people will appreciate how much work goes into and appreciate the music enough that they are willing to donate to our cause. I do believe that if you have a quality product and you are able to record in good way, and are professional , I don’t see why people would be opposed to donating and helping out if they enjoy it.

What are some of your pet peeves?

Ian:  My biggest pet peeve in the world is when you go to a bar, and there’s a live band, and the music is entirely too loud. I’ve been so many little shows, in tiny bars, where there’s ten people in the crowd, and the music is just blaring loud, so loud I can’t stand to be in the bar. For me it’s just unnecessary, I appreciate when I can go out, and listen to a band and still have a conversation with the people I am with. In today’s world, louder is always better for some reason, and people think that if you bar pumps super loud music, that people will want to spend more money. For me to have moderate levels, is huge. To me, Loud has its place, the Fillmore I would expect it to be loud, it’s all about the time a place.

 

If you could give some advice to other musicians out there who are just starting out, what would it be?

Ian:  I sure it’s a little cliché, but just to do what you do, and stay true to who you are. For a while I tried to be other people, I wrote songs and sang and tried to mimic other people, and what I found is that people respond in the best way when I stay true to what I do, and I don’t try to sound like someone else. I think people really respond to being genuine, and people can always tell. It’s a huge thing for life in general is to be real, and honest with people. I think sometimes I am too honest with people, it’s a characteristic that’s rare these days, and everyone is so afraid of hurting people’s feelings, and you know, losing friends, just because they have an opinion. My opinion, I don’t feel like I need to be afraid to be honest, ‘cause if the other people can’t take my opinion, or they are offended by it, then why would I want to associate with those people. Life is about surrounding yourself with people who you aspire to be like, they say that you become the people you surround yourself with. You can’t help but pick up the traits of other people around you. We mimic everything we see in life, so it’s important to surround yourself with positive people and good energy, and people who help you move forward.

What is your favorite venue to play, and your favorite venue to go see a show?

Ian:  I think my new favorite venue is at the Summit Music Hall Moon Room, We played a show there June 6th. We just booked another show for our  EP Release. It’s a really, really, nice stage, and it’s bigger than a lot of stages I have played at in Denver.

I love going to the Fillmore to see shows, Ogden, the best venue in the world is ultimately Red Rocks Amphitheater. I love it so much, always such a great experience to go there. It’s not like most shows, where you show up and wait in line, go inside and grab a beer, etc. Red rocks is a whole experience, it’s an adventure every time. I hope one day I can play at red rocks. That’s my ultimate goal to get on that stage, look up and see that wave of people, and know that they are all there for me.

bird

 

They just released their new EP  July 11th.  Head over to their website to get more links and a free download.

Links:

Website:

www.hatchthebird.com

Tickets:

http://www.ticketmaster.com/Hatch-the-Bird-tickets/artist/1873388

 

Trev Rich: Breathe (Single Review)

“Moon Walking On The Sun, Getting Harassed By Billie Jean”

 

The latest installment of “#TrevThursdays” see’s the Colorado emcee deliver something his fans have eagerly been waiting for, for the past seven months. A video. The song which is given a visual accompaniment is a throw back to Trev before he became Trev Rich and before the “Dreams”, Joe Budden co-sign. Ten months ago, Trev released “Breathe” featuring FL of The Foodchain to his official SoundCloud, but the track could originally by found on the Rockie G5 “Gold Dreams” street album. The track evidences that even before he was signed to Mood Muzik Entertainment, Trev was tantalisingly talented behind the microphone.

My favourite lines of the track are the Michael Jackson reference, quoted above, and “Lebron gon’ get a ring before she does” and the bar which follows on “Never been the type to make that ass sign a prenup, but after seeing all the Kobe jokes she gotta ink up”. Trev has a particular skill when focusing metaphors and wordplay around Basketball, I wonder if a remix of Budden’s “NBA” track could be a future TrevThursday track? The featured FL manages to keep up with Trev,bar for bar but I’m not sure if any particular bar could be highlighted as a stand out because they’re all consistently great, at a push I would choose the “sow/seed/grow” wordplay, but everything which follows is equally as enjoyable.

The video, brought to us courtesy of Emergency Room Films, contains a mixture of both high and low key lighting, the quality appears to decrease in the darker scenes but the brighter the lighting, the better. The framing from directors, Nache Green and Vince Lance, is fantastic although I could question the use of social realism conventions in the video being acted rather unrealistically in the basketball scene. Is anyone that bad at sport they just let the other player past with barely moving? Aside from a few issues, I am very happy to see Trev delivering the visuals he promised in our last interview and hope to see more for tracks from “Heights 2”, particularly “Red Cup Blues”. You can watch the video for “Breathe” via Emergency Room Films official YouTube account (Click Here).

What do you think of “Breathe”? Are you happy to see Trev making videos? What track would you like to see Trev make a video for next? Comment below! 

Jimmie Murphy: Clearing My Thoughts (Single Review)

“Imma Scream This Squizzy Shit Till I Finally Leave”

In the same week that his fellow Squizzy Gang member Trev Rich released “The Break” – Trev’s self-professed “Black Cloud” – Jimmie Murphy dropped “Clearing My Thoughts” and delivered a track which wouldn’t be out of place on ‘Mood God’ Joe Budden’s “Mood Muzik 4.5”. The track provokes emotion in every syllable that Jimmie spits as he portrays a love for his family that is hard to compare to any other artist than Trev and his “I Would Have Told Her” record. Usually I prefer B.More when he caresses the microphone with his vocal chords rather than emceeing, but this rap record is one of the greatest tracks I have ever heard from him and three of his tracks are already in my Top 25 most played on iTunes.

Jimmie begins clearing his thoughts by professing his love for his Squizzy Gang cohorts (“Imma scream this Squizzy shit ’til I finally leave”)  before taunting an unknown adressee about his girlfriend (“When your girl come around she can’t breathe”) but as the track progresses after an awkwardly delivered (“You don’t know what can come out of it”) Kevin Ware line, Jimmie captivated me with lyricism such as “When my family gotta eat, I’m ready to die” and a touching series of bars addressed to his Brother. The emotionally resonating lyricism is assisted with near-perfect delivery as B.More showcases how personal the track is to him with unparalleled passion. In a state in which Trev Rich is consistently applauded for his take on the Mood Muzik style of Hip Hop, Jimmie is under-appreciated and undervalued in his own efforts of emotional music. “Clearing My thoughts” is an absolute gem, and I’m sure all listeners of the song will wholeheartedly agree with me.

Follow Jimmie Murphy (Click Here), Myself (Click Here) or the MileHiMusic account (Click Here) on Twitter and let us know what you think of the track in the comments below. You can listen to and download “Clearing My Thoughts” via HulkShare (Click Here). Thank you for reading.

AGE: Toe Tapping With Angels (Single Review)

“Do You Even Care About The Kids That Die From Hunger? The Numbers Growing Every Day Do You Even Wonder?”

Last month I was scouring my MileHiMusic email account for music submissions in the hope of finding a new artist I could take an interest in that wasn’t affiliated with Squizzy Gang. As much as I like Colorado’s hottest music group, I needed something else to write about. It disappointed me that some of the submissions I received were embarrassingly bad, others were okay but I wouldn’t have too much to write about and there were even a couple that had submitted and weren’t from the state of Colorado. Then I came across two songs which grabbed my attention and stood out above the rest, and I noticed they were both submissions from the same artist: AGE.

Listening to “Toe Tapping With Angels” and “Misunderstood I Might Be”, neither were flawless by any means, but not many tracks are. The factor which grabbed my attention was that AGE managed to sound alike to a plethora of artists I was already a fan of. The opening bar of “Toe Tapping With Angels” in which AGE announces “I’m not dancing with devils, I’m toe tapping with angels” sounds like KeL iLL infused with fellow www.rap-royalty.com member Nell assisted by the melancholic beat both of those artists excel under. From a lyrical standpoint, AGE is reminiscent of An0maly, a rapper I have been a fan of for many years, as the Colorado emcee opts for a multi-syllabic rhyme scheme without venturing into overly-complex lyricism in order to showcase a level of skill whilst remaining clear on what he is talking about, rather than opting for a polysemic, ambiguity laden approach which may have put listeners off. Thematically, AGE manages to maintain a style synonymous with Mood Muzik Entertainment as the track is darker than the “all black” dress code AGE describes in the opening verse.

A plethora of paranoid, conspiracy, thought provoking bars are awkwardly interrupted by the mention of “bitches”. There is absolutely no need to mention “bad bitch” in this song, and the fact that AGE deemed it necessary to do so, destroyed my love for the song. I was able to overlook the overly melancholic tone sometimes becoming monotonous up until the young rapper spat out “gold-digging bitches”. Those five syllables alone stopped “Toe Tapping With Angels” being an incredible song. There are other flaws in the track but none half as bad as the poor placement of misogynistic lyrics which are better suited to generic club-hop than a track which in preceding bars was questioning the listeners thoughts on social issues and exploiting societies apathy.

Overall, I would still recommend that Hip Hop fans gave “Toe Tapping With Angels” and other AGE tracks a listen. Chances are you will either love or hate the Colorado emcee just like the other artists I likened him too. Personally, I love him; there are some parts I hate about him too, but as he develops and matures, he can only get better. You can follow AGE on Twitter (Click Here) and watch his YouTube videos/Listen to singles (Click Here). Make sure you comment below and let me know what you think of this review or the “Toe Tapping With Angels” track itself. You can follow myself on Twitter (Click Here) and the MileHiMusic account (Click Here). Thank you for reading.